This is a preview of the content in our Venice Art & Culture app. Get the app to:
  • Read offline
  • Remove ads
  • Add Map function to find sites, as well as your own custom locations (your hotel...)
  • Build a list of your own favourites
  • Search the contents with our advanced text search functionality
  • ... and more!
iOS App Store Google Play

Pietro Liberi

Baroque adventurer and painter

Bathsheba, by Pietro Liberi

Born in Padua, Pietro Liberi (1605 – 1687) started out as a painter, training with Alessandro Varotari (il Padovanino), before embarking on a career straight out of a picaresque novel: he was captured by Tunisian pirates and enslaved for eight months, wandered through Malta and much of southern Italy, fought as a mercenary for the Duke of Tuscany in Turkey, travelled to Lisbon, France and Madrid, then went to Rome in 1638 and decided to pick up the brush once more.

His style was influenced by the popular Roman painters of the day, Pietro da Cortona and Guido Reni. By 1643 he was back in Venice, where he settled down.

His prediliection for painting immoral 'cabinet' paintings, destined for wealthy patrons, earned him the nickname Libertino, although in Venice his surviving paintings are all quite proper, except for the bizarre canvas of A Man Fallen through Vice in the Fondazione Querini-Stampalia. He went on be knighted, made the first president of the Accademia, and have his own digs, the Palazzo Moro Lin, built on the Grand Canal.

You can find his other paintings in San Pietro di Castello, the Palazzo Ducale (the Battle of the Dardenelles), Ospedaletto, Santa Maria della Salute (Venice Supplicating St Anthony) San Moisè, and SS. Giovanni e Paolo.

Text © Dana Facaros and Michael Pauls

Images by: PD Art